I’m Michele. Nine years as a Game Producer, across QA, live production, and indie publishing. I help studios move faster, ship cleaner, and handle everything that sits between a promising pitch and a finished game.
.jpg "Sniper Elite 5 · Rebellion")
.jpg "Zombie Army 4: Dead War · Rebellion")
.jpg "Strange Brigade · Rebellion")
.jpg "Sniper Elite 4 · Rebellion")
.jpg "Redout · 34BigThings")
.jpg "Super Inefficient Golf · 34BigThings")
.jpg "Ride · Milestone")
.jpg "MXGP3 · Milestone")
.jpg "Valentino Rossi: The Game · Milestone")
We’re a small group of producers and designers who have shipped on console, PC and mobile across studios and publishers. We plug in project by project, on retainer, or as a focused audit, matching the right discipline to the problem in front of you.
The right things at the right time. Schedules, documentation, and budgets, from pre-production all the way to gold master.
Clean releases, every platform, every market. Certifications, stores, launch logistics, external QA, and localisation.
Not a publisher myself, but I worked inside one of the best. I can share a network, the experience, and an honest view on how to reach the players.
A producer on your side of the table. Milestones, scope, and risk tracked across signed studios so surprises surface early, not at Portfolio Review meetings.
A design read on signed and prospective titles. Where the design holds, where it leaks players, and what to prototype before greenlighting more scope.
A press-style critique of titles still in development. We play the build, write the review you’d wish you had at launch, and flag what reviewers will likely praise or pick apart.
Freelance scouting on the ground when your team can’t be present. Direct dev conversations, plus feedback on trends and projects worth watching.
The things people ask me on a first call, answered upfront. If yours isn’t here, send it through. I’d rather we both know what we’re agreeing to.
Three formats. Projects for defined deliverables: a cert pass, a workflow audit, a publisher demo prep. Retainers for ongoing producer support, billed monthly. Audits for short, focused diagnostics, usually one to two weeks. We agree the format on the discovery call, once I understand what you actually need.
Happy to sign your standard NDA before the call if your project warrants it. For most early conversations, a verbal “this stays between us” is enough. I’ve been around the industry long enough to know how to keep my mouth shut.
You do. Everything I produce, from schedules and GDD reviews to pipelines and cert prep, is yours. The whole point of the engagement is that the value stays with you, not with me.
A two-hour paid consultation if you just need a sanity check on a specific decision. Below that, the discovery call itself is free: half an hour, no pitch.
Yes. Nine years in the industry built a network of trusted studios, porting houses, QA partners, audio teams, and loc vendors. I introduce, brief, and coordinate them as part of the engagement. No referral fees on either side.
Yes. The discovery call doesn’t care what stage you’re in. If pitch deck shaping or publisher demo prep is what you need, that’s its own service. If you genuinely can’t afford anything yet, I’ll point you at the right reading or the right people, no strings.
Tell me about the game, the stage it’s in, and what’s getting in the way. If we fit, we’ll set up a 30-minute discovery call. If we don’t, I’ll send you to someone who does.
P.S. Replies usually go out within 1 to 3 working days.
If you don’t hear back in that window, don’t hesitate to ping me again.